Drape (Colour) | ||
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Drape (Colour I) 2011 / C-type print / 60cm x 60cm / edition of 5 |
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Drape (Cavalcade) |
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Drape (Cavalcade I) 2012
/ C-type print / 27.2 x 20.4cm / edition of 5 |
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Drape (Cavalcade II) 2012
/ C-type print / 27.2 x 20.4cm / edition of 5 |
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Drape (Cavalcade III) 2012
/ C-type print / 27.2 x 20.4cm / edition of 5 |
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Drape (Cavalcade III) 2012
/ C-type print / 27.2 x 20.4cm / edition of 5 |
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Drape (Cavalcade V) 2012
/ C-type print / 27.2 x 20.4cm / edition of 5 |
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Drape (Cavalcade VI) 2012
/ C-type print / 27.2 x 20.4cm / edition of 5 |
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Drape (Cavalcade VII) 2012
/ C-type print / 27.2 x 20.4cm / edition of 5 |
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Drape (Cavalcade VII) 2013
/ C-type print / 27.2 x 20.4cm / edition of 50 |
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Drape (Centrefolds) | ||
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Drape (Centrefold I) 2012
/ C-type print / 40.8cm x 27.2cm / edition of 5 |
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Drape (Centrefold II) 2012
/ C-type print / 40.8cm x 27.2cm / edition of 5 |
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Drape (BF) | ||
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Drape (BF1) 2013
/ C-type prints / each image 10.7cm x 8.5cm / edition of 5 |
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Drape (BF2) 2013
/ C-type prints / each image 8.5cm x 10.7cm / edition of 5 |
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Drape uses vintage pin-up photographs as its source material. These photographs, probably mostly from the 1950s and 60s, depict women that are posed in interior (semi-) domestic sets in front of curtains or drapes. After scanning these pin-up photographs, the curtains or drapes were digitally extended in order to partially obscure the women. The background (the drapes or curtains) and foreground (the model’s body) are exchanged and this digital manipulation causes a rupture within the scene. Once the backdrop falls in front of the model, showing just parts of her body, our voyeuristic desire becomes clearer. |
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Drape installed at Peter Lav Gallery, Copenhagen (DK) | ||
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Drape at T3 Photography Festival, Ueno Park, Tokyo (JP). | ||
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Drape (Cavalcede VIII) at The Function Room, London (GB). |